A special message from the Editor of Stock Performance Weekly: We are often approached by other businesses with special offers for our readers. While many don't make the cut, the message below is one we believe deserves your consideration. |
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Regards,
Founder, Empire Financial Research
Whitney Tilson
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| Early life King was born in Portland, Maine, on September 21, 1947. His father, Donald Edwin King, a travelling vacuum salesman after returning from World War II,[10] was born in Indiana with the surname Pollock, changing it to King as an adult.[11][12][13] King's mother was Nellie Ruth King (née Pillsbury).[13] His parents were married in Scarborough, Maine on July 23, 1939.[14] Shortly afterwards, they lived with Donald's family in Chicago before moving to Croton-on-Hudson, New York.[15] King's parents returned to Maine towards the end of World War II, living in a modest house in Scarborough. When King was two, his father left the family. His mother raised him and his older brother David by herself, sometimes under great financial strain. They moved from Scarborough and depended on relatives in Chicago; Croton-on-Hudson; West De Pere, Wisconsin; Fort Wayne, Indiana; Malden, Massachusetts; and Stratford, Connecticut.[16][17] When King was 11, his family moved to Durham, Maine, where his mother cared for her parents until their deaths. She then became a caregiver in a local residential facility for the mentally challenged.[1] King was raised Methodist,[18][19] but lost his belief in organized religion while in high school. While no longer religious, he says he chooses to believe in the existence of God.[20] As a child, King apparently witnessed one of his friends being struck and killed by a train, though he has no memory of the event. His family told him that after leaving home to play with the boy, King returned speechless and seemingly in shock. Only later did the family learn of the friend's death. Some commentators have suggested that this event may have psychologically inspired some of King's darker works,[21] but King makes no mention of it in his memoir On Writing (2000). He related in detail his primary inspiration for writing horror fiction in his non-fiction Danse Macabre (1981), in a chapter titled "An Annoying Autobiographical Pause". He compared his uncle's dowsing for water using the bough of an apple branch with the sudden realization of what he wanted to do for a living. That inspiration occurred while browsing through an attic with his elder brother, when King uncovered a paperback version of an H. P. Lovecraft collection of short stories he remembers as The Lurker in the Shadows, that had belonged to his father. King told Barnes & Noble Studios in a 2009 interview, "I knew that I'd found home when I read that book."[22] King attended Durham Elementary School and graduated from Lisbon Falls High School in Lisbon Falls, Maine, in 1966.[23] He displayed an early interest in horror as an avid reader of EC horror comics, including Tales from the Crypt, and he later paid tribute to the comics in his screenplay for Creepshow. He began writing for fun while in school, contributing articles to Dave's Rag, the newspaper his brother published with a mimeograph machine, and later began selling stories to his friends based on movies he had seen. (He was forced to return the profits when it was discovered by his teachers.) The first of his stories to be independently published was "I Was a Teenage Grave Robber", which was serialized over four issues (three published and one unpublished) of a fanzine, Comics Review, in 1965. It was republished the following year in revised form, as "In a Half-World of Terror", in another fanzine, Stories of Suspense, edited by Marv Wolfman.[24] As a teen, King also won a Scholastic Art and Writing Award.[25] King entered the University of Maine in 1966, and graduated in 1970 with a Bachelor of Arts in English.[26] That year, his daughter Naomi Rachel was born. He wrote a column, Steve King's Garbage Truck, for the student newspaper, The Maine Campus, and participated in a writing workshop organized by Burton Hatlen.[27] King held a variety of jobs to pay for his studies, including as a janitor, a gas-station attendant, and an industrial laundry worker. He met his wife, fellow student Tabitha Spruce, at the university's Fogler Library after one of Professor Hatlen's workshops; they wed in 1971.[27] Career Beginnings In 1971, King worked as a teacher at Hampden Academy King sold his first professional short story, "The Glass Floor", to Startling Mystery Stories in 1967.[1] After graduating from the University of Maine, King earned a certificate to teach high school but, unable to find a teaching post immediately, he supplemented his laboring wage by selling short stories to men's magazines such as Cavalier. Many of these early stories were republished in the collection Night Shift. The short story "The Raft" was published in Adam, a men's magazine. After being arrested for stealing traffic cones (he was annoyed after one of the cones knocked his muffler loose), he was fined $250 for petty larceny but had no money to pay. However, a check then arrived for "The Raft" (then titled "The Float"), and King cashed it to pay the fine.[28] In 1971, King was hired as a teacher at Hampden Academy in Hampden, Maine. He continued to contribute short stories to magazines and worked on ideas for novels.[1] During 1966–1970, he wrote a draft about his dystopian novel called The Long Walk[29] and the anti-war novel Sword in the Darkness,[30][31] but neither of the works was published at the time; only The Long Walk was later released in 1979. Carrie and aftermath In 1973, King's novel, Carrie, was accepted by publishing house, Doubleday. It was King's fourth novel,[32] but the first to be published. He wrote it on his wife Tabitha's portable typewriter. It began as a short story intended for Cavalier magazine, but King tossed the first three pages in the garbage can.[33] Tabitha recovered the pages and encouraged him to finish the story, saying she would help him with the female perspective; he followed her advice and expanded it into a novel.[34] He said: "I persisted because I was dry and had no better ideas… My considered opinion was that I had written the world's all-time loser."[35] According to The Guardian, Carrie "is the story of Carrie White, a high-school student with latent—and then, as the novel progresses, developing—telekinetic powers. It's brutal in places, affecting in others (Carrie's relationship with her almost hysterically religious mother being a particularly damaged one), and gory in even more."[36] When Carrie was chosen for publication, King's phone was out of service. Doubleday editor William Thompson—who became King's close friend—sent a telegram to King's house in late March or early April 1973[37] which read: "Carrie Officially A Doubleday Book. $2,500 Advance Against Royalties. Congrats, Kid – The Future Lies Ahead, Bill."[38] King said he bought a new Ford Pinto with the advance.[37] On May 13, 1973, New American Library bought the paperback rights for $400,000, which—in accordance with King's contract with Doubleday—was split between them.[39][40] Carrie set King's career in motion and became a significant novel in the horror genre. In 1976, it was made into a successful horror film.[41] King's 'Salem's Lot was published in 1975. In a 1987 issue of The Highway Patrolman magazine, he said, "The story seems sort of down home to me. I have a special cold spot in my heart for it!"[42] After his mother's death, King and his family moved to Boulder, Colorado, where he wrote The Shining (published 1977). The family returned to Auburn, Maine in 1975, where he completed The Stand (published 1978). In 1977, the family, with the addition of Owen Philip, his third and youngest child, traveled briefly to England. They returned to Maine that fall, where King began teaching creative writing at the University of Maine.[43] In 1982, King published Different Seasons, a collection of four novellas with a more serious dramatic bent than the horror fiction for which he is famous.[44] It is notable for having three of its four novellas turned into Hollywood films: Stand by Me (1986) was adapted from The Body;[45] The Shawshank Redemption (1994) was adapted from Rita Hayworth and Shawshank Redemption;[46] and Apt Pupil (1998) was adapted from the novella of the same name.[47][48] In 1985, King wrote his first work for the comic book medium,[49] writing a few pages of the benefit X-Men comic book Heroes for Hope Starring the X-Men. The book, whose profits were donated to famine relief in Africa, was written by a number of different authors in the comic book field, such as Chris Claremont, Stan Lee, and Alan Moore, as well as authors not primarily associated with comics, such as Harlan Ellison.[50] The following year, King published It (1986), which was the best-selling hardcover novel in the United States that year,[51] and wrote the introduction to Batman No. 400, an anniversary issue where he expressed his preference for the character over Superman.[52][53] The Dark Tower books Main article: The Dark Tower (series) In the late 1970s, King began what became a series of interconnected stories about a lone gunslinger, Roland, who pursues the "Man in Black" in an alternate-reality universe that is a cross between J. R. R. Tolkien's Middle-earth and the American Wild West as depicted by Clint Eastwood and Sergio Leone in their spaghetti Westerns. The first of these stories, The Dark Tower: The Gunslinger, was initially published in five installments by The Magazine of Fantasy & Science Fiction under the editorship of Edward L. Ferman, from 1977 to 1981. The Gunslinger was continued as an eight-book epic series called The Dark Tower, whose books King wrote and published infrequently over four decades (1978-2012).[54] Pseudonyms In the late 1970s and early 1980s, King published a handful of short novels—Rage (1977), The Long Walk (1979), Roadwork (1981), The Running Man (1982) and Thinner (1984)—under the pseudonym Richard Bachman. The idea behind this was to test whether he could replicate his success again and to allay his fears that his popularity was an accident. An alternate explanation was that publishing standards at the time allowed only a single book a year.[55] He picked up the name from the hard rock band Bachman-Turner Overdrive, of which he is a fan.[56] Richard Bachman was exposed as King's pseudonym by a persistent Washington, D.C. bookstore clerk, Steve Brown, who noticed similarities between the works and later located publisher's records at the Library of Congress that named King as the author of one of Bachman's novels.[57] This led to a press release heralding Bachman's "death"—supposedly from "cancer of the pseudonym".[58] King dedicated his 1989 book The Dark Half, about a pseudonym turning on a writer, to "the deceased Richard Bachman", and in 1996, when the Stephen King novel Desperation was released, the companion novel The Regulators carried the "Bachman" byline. In 2006, during a press conference in London, King declared that he had discovered another Bachman novel, titled Blaze. It was published on June 12, 2007. In fact, the original manuscript had been held at King's Alma mater, the University of Maine in Orono, for many years and had been covered by numerous King experts. King rewrote the original 1973 manuscript for its publication.[59] King has used other pseudonyms. The short story "The Fifth Quarter" was published under the pseudonym John Swithen (the name of a character in the novel Carrie), by Cavalier in April 1972.[60] The story was reprinted in King's collection Nightmares & Dreamscapes in 1993 under his own name. In the introduction to the Bachman novel Blaze, King claims, with tongue-in-cheek, that "Bachman" was the person using the Swithen pseudonym. The "children's book" Charlie the Choo-Choo: From the World of The Dark Tower was published in 2016 under the pseudonym Beryl Evans, who was portrayed by actress Allison Davies during a book signing at San Diego Comic-Con,[61] and illustrated by Ned Dameron. It is adapted from a fictional book central to the plot of King's previous novel The Dark Tower III: The Waste Lands.[62] Digital era Stephen King at the Harvard Book Store, June 6, 2005 In 2000, King published online a serialized horror novel, The Plant.[63] At first the public assumed that King had abandoned the project because sales were unsuccessful, but King later stated that he had simply run out of stories.[64] The unfinished epistolary novel is still available from King's official site, now free. Also in 2000, he wrote a digital novella, Riding the Bullet, and saying he foresaw e-books becoming 50% of the market "probably by 2013 and maybe by 2012". However, he also stated: "Here's the thing—people tire of the new toys quickly."[65] King wrote the first draft of the 2001 novel Dreamcatcher with a notebook and a Waterman fountain pen, which he called "the world's finest word processor".[66] In August 2003, King began writing a column on pop culture appearing in Entertainment Weekly, usually every third week. The column was called The Pop of King (a play on the nickname "The King of Pop" commonly attributed to Michael Jackson).[67] In 2006, King published an apocalyptic novel, Cell. The book features a sudden force in which every cell phone user turns into a mindless killer. King noted in the book's introduction that he does not use cell phones.[68][69] In 2008, King published both a novel, Duma Key, and a collection, Just After Sunset. The latter featured 13 short stories, including a previously unpublished novella, N. Starting July 28, 2008, N. was released as a serialized animated series to lead up to the release of Just After Sunset.[70] In 2009, King published Ur, a novella written exclusively for the launch of the second-generation Amazon Kindle and available only on Amazon.com, and Throttle, a novella co-written with his son Joe Hill and released later as an audiobook titled Road Rage, which included Richard Matheson's short story "Duel". King's novel Under the Dome was published on November 10 of that year; it is a reworking of an unfinished novel he tried writing twice in the late 1970s and early 1980s, and at 1,074 pages, it is the largest novel he has written since It (1986). Under the Dome debuted at No. 1 in The New York Times Bestseller List.[71] On February 16, 2010, King announced on his Web site that his next book would be a collection of four previously unpublished novellas called Full Dark, No Stars. In April of that year, King published Blockade Billy, an original novella issued first by independent small press Cemetery Dance Publications and later released in mass-market paperback by Simon & Schuster. The following month, DC Comics premiered American Vampire, a monthly comic book series written by King with short-story writer Scott Snyder, and illustrated by Rafael Albuquerque, which represents King's first original comics work.[72][73][74] King wrote the background history of the very first American vampire, Skinner Sweet, in the first five-issues story arc. Scott Snyder wrote the story of Pearl.[75] King's next novel, 11/22/63, was published November 8, 2011,[76][77] and was nominated for the 2012 World Fantasy Award Best Novel.[78] The eighth Dark Tower volume, The Wind Through the Keyhole, was published in 2012.[79] King's next book was Joyland, a novel about "an amusement-park serial killer", according to an article in The Sunday Times, published on April 8, 2012.[80] During his Chancellor's Speaker Series talk at University of Massachusetts Lowell on December 7, 2012, King indicated that he was writing a crime novel about a retired policeman being taunted by a murderer. With a working title Mr. Mercedes and inspired by a true event about a woman driving her car into a McDonald's restaurant, it was originally meant to be a short story just a few pages long.[81] In an interview with Parade, published on May 26, 2013, King confirmed that the novel was "more or less" completed[82] he published it in June 2014. Later, on June 20, 2013, while doing a video chat with fans as part of promoting the upcoming Under the Dome TV series, King mentioned he was halfway through writing his next novel, Revival,[83] which was released November 11, 2014.[84] King announced in June 2014 that Mr. Mercedes is part of a trilogy; the second book, Finders Keepers, was released on June 2, 2015. On April 22, 2015, it was revealed that King was working on the third book of the trilogy, End of Watch, which was ultimately released on June 7, 2016.[85][86] During a tour to promote End of Watch, King revealed that he had collaborated on a novel, set in a women's prison in West Virginia, with his son, Owen King, titled Sleeping Beauties.[87] In 2018, he released the novel The Outsider, which featured the character of Holly Gibney, and the novella Elevation. In 2019, he released the novel The Institute. In 2020, King released If It Bleeds, a collection of four previously unpublished novellas. In 2022, King released his latest novel, Fairy Tale. Collaborations Writings King has written two novels with horror novelist Peter Straub: The Talisman (1984) and a sequel, Black House (2001). King has indicated that he and Straub would likely write the third and concluding book in this series, the tale of Jack Sawyer,[citation needed] but after Straub passed away in 2022 the future of the series is in doubt. King produced an artist's book with designer Barbara Kruger, My Pretty Pony (1989), published in a limited edition of 250 by the Library Fellows of the Whitney Museum of American Art. Alfred A. Knopf released it in a general trade edition.[88] The Diary of Ellen Rimbauer: My Life at Rose Red (2001) was a paperback tie-in for the King-penned miniseries Rose Red (2002). Published under anonymous authorship, the book was written by Ridley Pearson. The novel is written in the form of a diary by Ellen Rimbauer, and annotated by the fictional professor of paranormal activity, Joyce Reardon. The novel also presents a fictional afterword by Ellen Rimbauer's grandson, Steven. Intended to be a promotional item rather than a stand-alone work, its popularity spawned a 2003 prequel television miniseries to Rose Red, titled The Diary of Ellen Rimbauer. This spin-off is a rare occasion of another author being granted permission to write commercial work using characters and story elements invented by King. The novel tie-in idea was repeated on Stephen King's next project, the miniseries Kingdom Hospital. Richard Dooling, King's collaborator on Kingdom Hospital and writer of several episodes in the miniseries, published a fictional diary, The Journals of Eleanor Druse, in 2004. Eleanor Druse is a key character in Kingdom Hospital, much as Dr. Joyce Readon and Ellen Rimbauer are key characters in Rose Red.[citation needed] Throttle (2009), a novella written in collaboration with his son Joe Hill, appears in the anthology He Is Legend: Celebrating Richard Matheson.[89] Their second novella collaboration, In the Tall Grass (2012), was published in two parts in Esquire.[90][91] It was later released in e-book and audiobook formats, the latter read by Stephen Lang.[92] King and his son Owen King wrote the novel Sleeping Beauties, released in 2017, that is set in a women's prison.[93] King and Richard Chizmar collaborated to write Gwendy's Button Box (2017), a horror novella taking place is King's fictional town of Castle Rock.[94] A sequel titled Gwendy's Magic Feather (2019) was written solely by Chizmar.[95] In November 2020, Chizmar announced that he and King were writing a third installment in the series titled Gwendy's Final Task, this time as a full-length novel, to be released in February 2022.[96][97][98] Music In 1988, the band Blue Öyster Cult recorded an updated version of its 1974 song "Astronomy". The single released for radio play featured a narrative intro spoken by King.[99][100] The Blue Öyster Cult song "(Don't Fear) The Reaper" was also used in the King TV series The Stand.[101] King collaborated with Michael Jackson to create Ghosts (1996), a 40-minute musical video.[102] King states he was motivated to collaborate as he is "always interested in trying something new, and for (him), writing a minimusical would be new".[103] In 2005, King featured with a small spoken word part during the cover version of Everlong (by Foo Fighters) in Bronson Arroyo's album Covering the Bases, at the time, Arroyo was a pitcher for Major League Baseball team Boston Red Sox of whom King is a longtime fan.[104] In 2012, King collaborated with musician Shooter Jennings and his band Hierophant, providing the narration for their album, Black Ribbons.[105] King played guitar for the rock band Rock Bottom Remainders, several of whose members are authors. Other members include Dave Barry, Ridley Pearson, Scott Turow, Amy Tan, James McBride, Mitch Albom, Roy Blount, Jr., Matt Groening, Kathi Kamen Goldmark, Sam Barry, and Greg Iles. King and the other band members collaborated to release an e-book called Hard Listening: The Greatest Rock Band Ever (of Authors) Tells All (June 2013).[106][107] King wrote a musical entitled Ghost Brothers of Darkland County (2012) with musician John Mellencamp.[citation needed] Analysis Writing style and approach Stephen King in 2011 King's formula for learning to write well is: "Read and write four to six hours a day. If you cannot find the time for that, you can't expect to become a good writer." He sets out each day with a quota of 2000 words and will not stop writing until it is met. He also has a simple definition for talent in writing: "If you wrote something for which someone sent you a check, if you cashed the check and it didn't bounce, and if you then paid the light bill with the money, I consider you talented."[108] When asked why he writes, King responds: "The answer to that is fairly simple—there was nothing else I was made to do. I was made to write stories and I love to write stories. That's why I do it. I really can't imagine doing anything else and I can't imagine not doing what I do."[109] He is also often asked why he writes such terrifying stories and he answers with another question: "Why do you assume I have a choice?"[110] King usually begins the story creation process by imagining a "what if" scenario, such as what would happen if a writer is kidnapped by a sadistic nurse in Colorado.[111] King often uses authors as characters, or includes mention of fictional books in his stories, novellas and novels, such as Paul Sheldon, who is the main character in Misery, adult Bill Denbrough in It, Ben Mears in 'Salem's Lot, and Jack Torrance in The Shining. He has extended this to breaking the fourth wall by including himself as a character in The Dark Tower series from The Dark Tower V: Wolves of the Calla onwards. In September 2009 it was announced he would serve as a writer for Fangoria.[112] Influences King has called Richard Matheson "the author who influenced me most as a writer".[113] In a current edition of Matheson's The Shrinking Man, King is quoted as saying, "A horror story if there ever was one...a great adventure story—it is certainly one of that select handful that I have given to people, envying them the experience of the first reading."[citation needed] Other acknowledged influences include H. P. Lovecraft,[114][115] Arthur Machen,[116] Ray Bradbury,[117] Joseph Payne Brennan,[118] Elmore Leonard,[119] John D. MacDonald, and Don Robertson.[120] King's The Shining is immersed in gothic influences, including "The Masque of the Red Death" by Edgar Allan Poe (which was directly influenced by the first gothic novel, Horace Walpole's The Castle of Otranto).[121] The Overlook Hotel acts as a replacement for the traditional gothic castle, and Jack Torrance is a tragic villain seeking redemption.[121] King's favorite books are (in order): The Golden Argosy; Adventures of Huckleberry Finn; The Satanic Verses; McTeague; Lord of the Flies; Bleak House; Nineteen Eighty-Four; The Raj Quartet; Light in August; and Blood Meridian.[122] Critical response Science fiction editors John Clute and Peter Nicholls[123] offer a largely favorable appraisal of King, noting his "pungent prose, sharp ear for dialogue, disarmingly laid-back, frank style, along with his passionately fierce denunciation of human stupidity and cruelty (especially to children) [all of which rank] him among the more distinguished 'popular' writers." In his book The Philosophy of Horror (1990), Noël Carroll discusses King's work as an exemplar of modern horror fiction. Analyzing both the narrative structure of King's fiction and King's non-fiction ruminations on the art and craft of writing, Carroll writes that for King, "the horror story is always a contest between the normal and the abnormal such that the normal is reinstated and, therefore, affirmed."[124] In his analysis of post–World War II horror fiction, The Modern Weird Tale (2001), critic S. T. Joshi devotes a chapter to King's work. Joshi argues that King's best-known works are his worst, describing them as mostly bloated, illogical, maudlin and prone to deus ex machina endings. Despite these criticisms, Joshi argues that since Gerald's Game (1993), King has been tempering the worst of his writing faults, producing books that are leaner, more believable and generally better written.[125] In 1996, King won an O. Henry Award for his short story "The Man in the Black Suit".[126] In his short story collection A Century of Great Suspense Stories, editor Jeffery Deaver noted that King "singlehandedly made popular fiction grow up. While there were many good best-selling writers before him, King, more than anybody since John D. MacDonald, brought reality to genre novels. He has often remarked that 'Salem's Lot was "Peyton Place meets Dracula. And so it was. The rich characterization, the careful and caring social eye, the interplay of story line and character development announced that writers could take worn themes such as vampirism and make them fresh again. Before King, many popular writers found their efforts to make their books serious blue-penciled by their editors. 'Stuff like that gets in the way of the story,' they were told. Well, it's stuff like that that has made King so popular, and helped free the popular name from the shackles of simple genre writing. He is a master of masters."[127] In 2003, King was honored by the National Book Awards with a lifetime achievement award, the Medal of Distinguished Contribution to American Letters. Some in the literary community expressed disapproval of the award: Richard E. Snyder, the former CEO of Simon & Schuster, described King's work as "non-literature" and critic Harold Bloom denounced the choice: The decision to give the National Book Foundation's annual award for "distinguished contribution" to Stephen King is extraordinary, another low in the shocking process of dumbing down our cultural life. I've described King in the past as a writer of penny dreadfuls, but perhaps even that is too kind. He shares nothing with Edgar Allan Poe. What he is is an immensely inadequate writer on a sentence-by-sentence, paragraph-by-paragraph, book-by-book basis.[128] Orson Scott Card responded: Let me assure you that King's work most definitely is literature, because it was written to be published and is read with admiration. What Snyder really means is that it is not the literature preferred by the academic-literary elite.[129] In 2008, King's book On Writing was ranked 21st on Entertainment Weekly's list of "The New Classics: The 100 Best Reads from 1983 to 2008" | |
| Jordan was born at Cumberland Hospital in Fort Greene, Brooklyn, New York City, on February 17, 1963,[29] the son of bank employee Deloris (née Peoples) and equipment supervisor James R. Jordan Sr.[29][30] In 1968, he moved with his family to Wilmington, North Carolina.[31] Jordan attended Emsley A. Laney High School in Wilmington, where he highlighted his athletic career by playing basketball, baseball, and football. He tried out for the basketball varsity team during his sophomore year; at 5 feet 11 inches (1.80 m), he was deemed too short to play at that level. His taller friend Harvest Leroy Smith was the only sophomore to make the team.[32][33] Motivated to prove his worth, Jordan became the star of Laney's junior varsity team, and tallied some 40-point games.[32] The following summer, he grew four inches (10 cm) and trained rigorously.[33] Upon earning a spot on the varsity roster, Jordan averaged more than 25 points per game (ppg) over his final two seasons of high school play.[34] As a senior, he was selected to play in the 1981 McDonald's All-American Game and scored 30 points,[35][36] after averaging 27 ppg,[34] 12 rebounds (rpg),[37][38] and six assists per game (apg) for the season.[38][39][40] Jordan was recruited by numerous college basketball programs, including Duke, North Carolina, South Carolina, Syracuse, and Virginia.[41] In 1981, he accepted a basketball scholarship to the University of North Carolina at Chapel Hill, where he majored in cultural geography.[42] College career Jordan going in for a slam dunk for the Laney High School varsity basketball team, 1979–80 Jordan in action for North Carolina in 1983 As a freshman in coach Dean Smith's team-oriented system, Jordan was named ACC Freshman of the Year after he averaged 13.4 ppg on 53.4% shooting (field goal percentage).[43] He made the game-winning jump shot in the 1982 NCAA Championship game against Georgetown, which was led by future NBA rival Patrick Ewing.[44] Jordan later described this shot as the major turning point in his basketball career.[45][46] During his three seasons with the Tar Heels, he averaged 17.7 ppg on 54.0% shooting, and added 5.0 rpg and 1.8 apg.[13] Jordan was selected by consensus to the NCAA All-American First Team in both his sophomore (1983) and junior (1984) seasons.[47][48] After winning the Naismith and the Wooden College Player of the Year awards in 1984, Jordan left North Carolina one year before his scheduled graduation to enter the 1984 NBA draft. Jordan returned to North Carolina to complete his degree in 1986,[49] when he graduated with a Bachelor of Arts degree in geography.[50] In 2002, Jordan was named to the ACC 50th Anniversary men's basketball team honoring the 50 greatest players in ACC history.[51] Professional career Chicago Bulls (1984–1993; 1995–1998) Early NBA years (1984–1987) The Chicago Bulls selected Jordan with the third overall pick of the 1984 NBA draft after Hakeem Olajuwon (Houston Rockets) and Sam Bowie (Portland Trail Blazers). One of the primary reasons why Jordan was not drafted sooner was because the first two teams were in need of a center.[52] Trail Blazers general manager Stu Inman contended that it was not a matter of drafting a center but more a matter of taking Bowie over Jordan, in part because Portland already had Clyde Drexler, who was a guard with similar skills to Jordan.[53] Citing Bowie's injury-laden college career, ESPN named the Blazers' choice of Bowie as the worst draft pick in North American professional sports history.[54] Jordan made his NBA debut at Chicago Stadium on October 26, 1984, and scored 16 points. In 2021, a ticket stub from the game sold at auction for $264,000, setting a record for a collectible ticket stub.[55] During his rookie 1984–85 season with the Bulls, Jordan averaged 28.2 ppg on 51.5% shooting,[43] and helped make a team that had won 35% of games in the previous three seasons playoff contenders. He quickly became a fan favorite even in opposing arenas.[56][57][58] Roy S. Johnson of The New York Times described him as "the phenomenal rookie of the Bulls" in November,[58] and Jordan appeared on the cover of Sports Illustrated with the heading "A Star Is Born" in December.[59][60] The fans also voted in Jordan as an All-Star starter during his rookie season.[5] Controversy arose before the 1985 NBA All-Star Game when word surfaced that several veteran players, led by Isiah Thomas, were upset by the amount of attention Jordan was receiving.[5] This led to a so-called "freeze-out" on Jordan, where players refused to pass the ball to him throughout the game.[5] The controversy left Jordan relatively unaffected when he returned to regular season play, and he would go on to be voted the NBA Rookie of the Year.[61] The Bulls finished the season 38–44,[62] and lost to the Milwaukee Bucks in four games in the first round of the playoffs.[61] An often-cited moment was on August 26, 1985,[34][63] when Jordan shook the arena during a Nike exhibition game in Trieste, Italy, by shattering the glass of the backboard with a dunk.[64][65] The moment was filmed and is often referred to worldwide as an important milestone in Jordan's rise.[65][66] The shoes Jordan wore during the game were auctioned in August 2020 and sold for $615,000, a record for a pair of sneakers.[67][68] Jordan's 1985–86 season was cut short when he broke his foot in the third game of the year, causing him to miss 64 games.[69] The Bulls made the playoffs despite Jordan's injury and a 30–52 record,[62] at the time the fifth-worst record of any team to qualify for the playoffs in NBA history.[70] Jordan recovered in time to participate in the postseason and performed well upon his return. Against a Boston Celtics team that is often considered one of the greatest in NBA history,[71] Jordan set the still-unbroken record for points in a playoff game with 63 in Game 2,[72] but the Celtics managed to sweep the series.[61] Jordan completely recovered in time for the 1986–87 season,[73] and had one of the most prolific scoring seasons in NBA history; he became the only player other than Wilt Chamberlain to score 3,000 points in a season, averaging a league-high 37.1 ppg on 48.2% shooting.[43][74] In addition, Jordan demonstrated his defensive prowess, as he became the first player in NBA history to record 200 steals and 100 blocked shots in a season.[75] Despite Jordan's success, Magic Johnson won the NBA Most Valuable Player Award.[76] The Bulls reached 40 wins,[62] and advanced to the playoffs for the third consecutive year but were again swept by the Celtics.[61] Pistons roadblock (1987–1990) Jordan again led the league in scoring during the 1987–88 season, averaging 35.0 ppg on 53.5% shooting,[43] and he won his first league MVP Award. He was also named the NBA Defensive Player of the Year, as he averaged 1.6 blocks per game (bpg), a league-high 3.1 steals per game (spg),[77] and led the Bulls defense to the fewest points per game allowed in the league.[78] The Bulls finished 50–32,[62] and made it out of the first round of the playoffs for the first time in Jordan's career, as they defeated the Cleveland Cavaliers in five games.[79] In the Eastern Conference Semifinals, the Bulls lost in five games to the more experienced Detroit Pistons,[61] who were led by Isiah Thomas and a group of physical players known as the "Bad Boys".[80] In the 1988–89 season, Jordan again led the league in scoring, averaging 32.5 ppg on 53.8% shooting from the field, along with 8 rpg and 8 apg.[43] During the season, Sam Vincent, Chicago's point guard, was having trouble running the offense, and Jordan expressed his frustration with head coach Doug Collins, who would put Jordan at point guard. In his time as a point guard, Jordan averaged 10 triple-doubles in eleven games, with 33.6 ppg, 11.4 rpg, 10.8 apg, 2.9 spg, and 0.8 bpg on 51% shooting.[81] The Bulls finished with a 47–35 record,[62] and advanced to the Eastern Conference Finals, defeating the Cavaliers and New York Knicks along the way.[82] The Cavaliers series included a career highlight for Jordan when he hit "The Shot" over Craig Ehlo at the buzzer in the fifth and final game of the series.[83] In the Eastern Conference Finals, the Pistons again defeated the Bulls, this time in six games,[61] by utilizing their "Jordan Rules" method of guarding Jordan, which consisted of double and triple teaming him every time he touched the ball.[5] The Bulls entered the 1989–90 season as a team on the rise, with their core group of Jordan and young improving players like Scottie Pippen and Horace Grant, and under the guidance of new coach Phil Jackson.[84] On March 28, 1990, Jordan scored a career-high 69 points in a 117–113 road win over the Cavaliers.[85] He averaged a league-leading 33.6 ppg on 52.6% shooting, to go with 6.9 rpg and 6.3 apg,[43] in leading the Bulls to a 55–27 record.[62] They again advanced to the Eastern Conference Finals after beating the Bucks and Philadelphia 76ers;[86] despite pushing the series to seven games, the Bulls lost to the Pistons for the third consecutive season.[61] First three-peat (1991–1993) In the 1990–91 season, Jordan won his second MVP award after averaging 31.5 ppg on 53.9% shooting, 6.0 rpg, and 5.5 apg for the regular season.[43] The Bulls finished in first place in their division for the first time in sixteen years and set a franchise record with 61 wins in the regular season.[62] With Scottie Pippen developing into an All-Star, the Bulls had elevated their play. The Bulls defeated the New York Knicks and the Philadelphia 76ers in the opening two rounds of the playoffs. They advanced to the Eastern Conference Finals where their rival, the Detroit Pistons, awaited them;[87] this time, the Bulls beat the Pistons in a four-game sweep.[88] The Bulls advanced to the Finals for the first time in franchise history to face the Los Angeles Lakers, who had Magic Johnson and James Worthy, two formidable opponents. The Bulls won the series four games to one, and compiled a 15–2 playoff record along the way.[87] Perhaps the best-known moment of the series came in Game 2 when, attempting a dunk, Jordan avoided a potential Sam Perkins block by switching the ball from his right hand to his left in mid-air to lay the shot into the basket.[89] In his first Finals appearance, Jordan had 31.2 ppg on 56% shooting from the field, 11.4 apg, 6.6 rpg, 2.8 spg, and 1.4 bpg.[90] Jordan won his first NBA Finals MVP award,[91] and he cried while holding the Finals trophy.[92] Jordan and the Bulls continued their dominance in the 1991–92 season, establishing a 67–15 record, topping their franchise record from 1990–91.[62] Jordan won his second consecutive MVP award with averages of 30.1 ppg, 6.4 rbg, and 6.1 apg on 52% shooting.[77] After winning a physical seven-game series over the New York Knicks in the second round of the playoffs and finishing off the Cleveland Cavaliers in the Conference Finals in six games, the Bulls met Clyde Drexler and the Portland Trail Blazers in the Finals. The media, hoping to recreate a Magic–Bird rivalry, highlighted the similarities between "Air" Jordan and Clyde "The Glide" during the pre-Finals hype.[93] In the first game, Jordan scored a Finals-record 35 points in the first half, including a record-setting six three-point field goals.[94] After the sixth three-pointer, he jogged down the court shrugging as he looked courtside. Marv Albert, who broadcast the game, later stated that it was as if Jordan was saying: "I can't believe I'm doing this."[95] The Bulls went on to win Game 1 and defeat the Blazers in six games. Jordan was named Finals MVP for the second year in a row,[91] and finished the series averaging 35.8 ppg, 4.8 rpg, and 6.5 apg, while shooting 52.6% from the floor.[96] Jordan in 1992 In the 1992–93 season, despite a 32.6 ppg, 6.7 rpg, and 5.5 apg campaign, including a second-place finish in Defensive Player of the Year voting,[77][97] Jordan's streak of consecutive MVP seasons ended, as he lost the award to his friend Charles Barkley,[76] which upset him.[98] Coincidentally, Jordan and the Bulls met Barkley and his Phoenix Suns in the 1993 NBA Finals. The Bulls won their third NBA championship on a game-winning shot by John Paxson and a last-second block by Horace Grant, but Jordan was once again Chicago's leader. He averaged a Finals-record 41.0 ppg during the six-game series,[99] and became the first player in NBA history to win three straight Finals MVP awards.[91] He scored more than 30 points in every game of the series, including 40 or more points in four consecutive games.[100] With his third Finals triumph, Jordan capped off a seven-year run where he attained seven scoring titles and three championships, but there were signs that Jordan was tiring of his massive celebrity and all of the non-basketball hassles in his life.[101] Gambling During the Bulls' 1993 NBA playoffs, Jordan was seen gambling in Atlantic City, New Jersey, the night before a game against the New York Knicks.[102] The previous year, he admitted that he had to cover $57,000 in gambling losses,[103] and author Richard Esquinas wrote a book in 1993 claiming he had won $1.25 million from Jordan on the golf course.[104] David Stern, the commissioner of the NBA, denied in 1995 and 2006 that Jordan's 1993 retirement was a secret suspension by the league for gambling,[105][106] but the rumor spread widely.[107] In 2005, Jordan discussed his gambling with Ed Bradley of 60 Minutes and admitted that he made reckless decisions. Jordan stated: "Yeah, I've gotten myself into situations where I would not walk away and I've pushed the envelope. Is that compulsive? Yeah, it depends on how you look at it. If you're willing to jeopardize your livelihood and your family, then yeah." When Bradley asked him if his gambling ever got to the level where it jeopardized his livelihood or family, Jordan replied: "No."[108] In 2010, Ron Shelton, director of Jordan Rides the Bus, said that he began working on the documentary believing that the NBA had suspended him, but that research "convinced [him it] was nonsense".[107] Teams Birmingham Barons (1994–1995) Scottsdale Scorpions (1994) On October 6, 1993, Jordan announced his retirement, saying that he lost his desire to play basketball. Jordan later said that the murder of his father three months earlier helped shape his decision.[109] James R. Jordan Sr. was murdered on July 23, 1993, at a highway rest area in Lumberton, North Carolina, by two teenagers, Daniel Green and Larry Martin Demery, who carjacked his Lexus bearing the license plate "UNC 0023".[110][111] His body, dumped in a South Carolina swamp, was not discovered until August 3.[111] Green and Demery were found after they made calls on James Jordan's cell phone,[112] convicted at a trial, and sentenced to life in prison.[113] Jordan was close to his father; as a child, he imitated the way his father stuck out his tongue while absorbed in work. He later adopted it as his own signature, often displaying it as he drove to the basket.[5] In 1996, he founded a Chicago-area Boys & Girls Club and dedicated it to his father.[114][115] In his 1998 autobiography For the Love of the Game, Jordan wrote that he was preparing for retirement as early as the summer of 1992.[116] The added exhaustion due to the "Dream Team" run in the 1992 Summer Olympics solidified Jordan's feelings about the game and his ever-growing celebrity status. Jordan's announcement sent shock waves throughout the NBA and appeared on the front pages of newspapers around the world.[117] Jordan further surprised the sports world by signing a Minor League Baseball contract with the Chicago White Sox on February 7, 1994.[118] He reported to spring training in Sarasota, Florida, and was assigned to the team's minor league system on March 31, 1994.[119] Jordan said that this decision was made to pursue the dream of his late father, who always envisioned his son as a Major League Baseball player.[120] The White Sox were owned by Bulls owner Jerry Reinsdorf, who continued to honor Jordan's basketball contract during the years he played baseball.[121] In 1994, Jordan played for the Birmingham Barons, a Double-A minor league affiliate of the Chicago White Sox, batting .202 with three home runs, 51 runs batted in, 30 stolen bases, 114 strikeouts, 51 bases on balls, and 11 errors.[122][123] His strikeout total led the team and his games played tied for the team lead. His 30 stolen bases were second on the team only to Doug Brady.[124] He also appeared for the Scottsdale Scorpions in the 1994 Arizona Fall League, batting .252 against the top prospects in baseball.[119] On November 1, 1994, his No. 23 was retired by the Bulls in a ceremony that included the erection of a permanent sculpture known as The Spirit outside the new United Center.[125][126][127] "I'm back": Return to the NBA (1995) The Bulls went 55–27 in 1993–94 without Jordan in the lineup,[62] and lost to the New York Knicks in the second round of the playoffs.[128] The 1994–95 Bulls were a shell of the championship team of just two years earlier. Struggling at mid-season to ensure a spot in the playoffs, Chicago was 31–31 at one point in mid-March;[129] the team received help when Jordan decided to return to the Bulls.[130] In March 1995, Jordan decided to quit baseball because he feared he might become a replacement player during the Major League Baseball strike.[131] On March 18, 1995, Jordan announced his return to the NBA through a two-word press release: "I'm back."[132] The next day, Jordan took to the court with the Bulls to face the Indiana Pacers in Indianapolis, scoring 19 points.[133] The game had the highest Nielsen rating of any regular season NBA game since 1975.[134] Although he could have worn his original number even though the Bulls retired it, Jordan wore No. 45, his baseball number.[133] Despite his eighteen-month hiatus from the NBA, Jordan played well, making a game-winning jump shot against Atlanta in his fourth game back. He scored 55 points in his next game, against the New York Knicks at Madison Square Garden on March 28, 1995.[61] Boosted by Jordan's comeback, the Bulls went 13–4 to make the playoffs and advanced to the Eastern Conference Semifinals against the Orlando Magic.[135] At the end of Game 1, Orlando's Nick Anderson stripped Jordan from behind, leading to the game-winning basket for the Magic; he later commented that Jordan "didn't look like the old Michael Jordan",[136] and said that "No. 45 doesn't explode like No. 23 used to".[137] Jordan responded by scoring 38 points in the next game, which Chicago won. Before the game, Jordan decided that he would immediately resume wearing his former No. 23. The Bulls were fined $25,000 for failing to report the impromptu number change to the NBA.[137] Jordan was fined an additional $5,000 for opting to wear white sneakers when the rest of the Bulls wore black.[138] He averaged 31 ppg in the playoffs, but Orlando won the series in six games.[139] Second three-peat (1995–1998) Jordan was freshly motivated by the playoff defeat, and he trained aggressively for the 1995–96 season.[140] The Bulls were strengthened by the addition of rebound specialist Dennis Rodman, and the team dominated the league, starting the season at 41–3.[141] The Bulls eventually finished with the best regular season record in NBA history, 72–10, a mark broken two decades later by the 2015–16 Golden State Warriors.[142] Jordan led the league in scoring with 30.4 ppg,[143] and he won the league's regular season and All-Star Game MVP awards.[13] In the playoffs, the Bulls lost only three games in four series (Miami Heat 3–0, New York Knicks 4–1, and Orlando Magic 4–0), as they defeated the Seattle SuperSonics 4–2 in the NBA Finals to win their fourth championship.[141] Jordan was named Finals MVP for a record fourth time, surpassing Magic Johnson's three Finals MVP awards;[91] he also achieved only the second sweep of the MVP awards in the All-Star Game, regular season, and NBA Finals after Willis Reed in the 1969–70 season.[61] Upon winning the championship, his first since his father's murder, Jordan reacted emotionally, clutching the game ball and crying on the locker room floor.[5][92] In the 1996–97 season, the Bulls stood at a 69–11 record but ended the season by losing their final two games to finish the year 69–13, missing out on a second consecutive 70-win season.[144] The Bulls again advanced to the Finals, where they faced the Utah Jazz.[145] That team included Karl Malone, who had beaten Jordan for the NBA MVP award in a tight race (986–957).[146][147][148] The series against the Jazz featured two of the more memorable clutch moments of Jordan's career. He won Game 1 for the Bulls with a buzzer-beating jump shot. In Game 5, with the series tied at 2, Jordan played despite being feverish and dehydrated from a stomach virus. In what is known as "The Flu Game", Jordan scored 38 points, including the game-deciding 3-pointer with 25 seconds remaining.[145] The Bulls won 90–88 and went on to win the series in six games.[144] For the fifth time in as many Finals appearances, Jordan received the Finals MVP award.[91] During the 1997 NBA All-Star Game, Jordan posted the first triple-double in All-Star Game history in a victorious effort, but the MVP award went to Glen Rice.[149] Jordan with coach Phil Jackson in 1997 Jordan and the Bulls compiled a 62–20 record in the 1997–98 season.[62] Jordan led the league with 28.7 ppg,[77] securing his fifth regular season MVP award, plus honors for All-NBA First Team, First Defensive Team, and the All-Star Game MVP.[13] The Bulls won the Eastern Conference Championship for a third straight season, including surviving a seven-game series with the Indiana Pacers in the Eastern Conference Finals; it was the first time Jordan had played in a Game 7 since the 1992 Eastern Conference Semifinals with the New York Knicks.[150][151] After winning, they moved on for a rematch with the Jazz in the Finals.[152] The Bulls returned to the Delta Center for Game 6 on June 14, 1998, leading the series 3–2. Jordan executed a series of plays, considered to be one of the greatest clutch performances in NBA Finals history.[153] With 41.9 seconds remaining and the Bulls trailing 86–83, Phil Jackson called a timeout. When play resumed, Jordan received the inbound pass, drove to the basket, and sank a shot over several Jazz defenders, cutting Utah's lead to 86–85.[153] The Jazz brought the ball upcourt and passed the ball to Malone, who was set up in the low post and was being guarded by Rodman. Malone jostled with Rodman and caught the pass, but Jordan cut behind him and stole the ball out of his hands.[153] Jordan then dribbled down the court and paused, eyeing his defender, Jazz guard Bryon Russell. With 10 seconds remaining, Jordan started to dribble right, then crossed over to his left, possibly pushing off Russell, although the officials did not call a foul.[154][155][156][157] With 5.2 seconds left, Jordan made the climactic shot of his Bulls career,[158] a top-key jumper over a stumbling Russell to give Chicago an 87–86 lead. Afterwards, the Jazz' John Stockton narrowly missed a game-winning three-pointer, and the buzzer sounded as Jordan and the Bulls won their sixth NBA championship,[159] achieving a second three-peat in the decade.[160] Once again, Jordan was voted Finals MVP,[91] having led all scorers by averaging 33.5 ppg, including 45 in the deciding Game 6.[161] Jordan's six Finals MVPs is a record.[162] The 1998 Finals holds the highest television rating of any Finals series in history,[163] and Game 6 holds the highest television rating of any game in NBA history. | |
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